The Donald Haase Series in Fairy-Tale Studies – Giambattista Basile’s the Tale of Tales, or Entertainment for Little Ones

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The first unabridged English translation taken directly from Basile’s monumental Lo cunto de li cunti (1634–1636), this edition is fully annotated and illustrated, with an extensive bibliography. The Tale of Tales, made up of forty-nine fairy tales within a fiftieth frame story, contains the earliest versions of celebrated stories like Rapunzel, All-Fur, Hansel and Gretel, The Goose That Laid the Golden Egg, Sleeping Beauty, and Cinderella. The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the…

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The first unabridged English translation taken directly from Basile’s monumental Lo cunto de li cunti (1634–1636), this edition is fully annotated and illustrated, with an extensive bibliography.

The Tale of Tales, made up of forty-nine fairy tales within a fiftieth frame story, contains the earliest versions of celebrated stories like Rapunzel, All-Fur, Hansel and Gretel, The Goose That Laid the Golden Egg, Sleeping Beauty, and Cinderella. The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.

Giambattista Basile’s \

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